Wednesday, August 16, 2017

Astaroth Incarnate/Omnipotence - The Infinite Darkness/CDN Records/2017 EP Review


  Astaroth  Incarnate  are  a  band  from  Toronto,  Ontario,  Canada  that  plays  a  very melodic  form  of  blackened  death  metal  along  with  some  elements  of  thrash,  groove  and  doom  metal  and  this  is  a  review  of  their  2017  ep  "Omnipotence  -  The  Infinite  Darkness"  which  will  be  released  in  September  by  CDN  Records.

  An  almost  silent  soundscape  starts  off  the  ep  along  with  some  spoken  word  parts  a  few  seconds  later  and  after  awhile  powerful  sounding  bass  guitars  and  drum  beats  are  added  onto  the  recording  along  with  some  melodic  guitar  leads  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  A  lot  of  melodies  can  be  heard  in  the  guitar  riffing  while  the  riffs  also  mix  in  a  great  amount  of  thrash,  groove  and  doom  metal  elements  along  with  the  vocals  being  a  mixture  of  black  metal  screams  and  death  metal  growls  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  most  of  the  tracks  being  very  long  and  epic  in  length  and  at  times  the  music  gets  very  brutal and  acoustic  guitars  are  also  used  briefly

  Astarath  Incarnate  plays  a  musical  style  that  takes  melodic  black  and  brutal  death  metal  and  mixes  it  with  some  elements  of  thrash,  groove  and  doom  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  fear,  knowledge,  punishment,  strengthening,  torture,  judgement,  enlightenment  and  occultism  themes.

   In  my  opinion  Astaroth  Incarnate  a  very  great  sounding  melodic  blackened  death  metal  band  with  elements  of  thrash,  groove  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Curse  Of  The  Black  Plague"  and  "Re-Creation".  8  out  of  10.    

In Twilight's Embrace/Vanitas/Arachnophobia Records/2017 CD Review


  Poland's  In  Twilight's  Embrace  have  returned  with  a  new  recording  that  continues  their  melodic  approach  to  blackened  death  metal  and  this  is  a  review  of  their  2017 album  "Vanitas"  which  will  be  released  in  September  by  Arachnophobia  Records.

  A  very  fast  sound  along  with  a  great  amount  of  blast  beats  and  tremolo  picking  start  off  the  album  while  also  introducing  melodic  guitar  solos  and  leads  onto  the  recording  and  the riffs  also  use  a  great  amount  of  melody  as  well  as  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them.

  Vocals  bring  in  a  mixture  of  death  metal  growls  and  grim  black  metal  screams  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  adding  in  a  decent  amount  of  90's  Swedish  influences  and  as  the  album progresses  clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  and  there  is  also  a  brief  use  of  spoken  word  parts.

  In  Twilight's  Embrace  create  an  album  that  goes  into  even  more  of  a  melodic  blackened  death  metal  style  than  their  previous releases,  the  production  sounds  very  professional  while  the  lyrics  cover  disillusion,  doubt,  negativity,  solitude  and  darkness  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  In  Twilight's  Embrace  and  if  you  are  a  fan  of  melodic  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Fan  The  Flame"  "Futility"  and  "The  Great  Leveller".  8  out  of  10.  

Sunday, August 13, 2017

Uhtcearu Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?
We are a Wisconsin based metal band trying to combine meaningful lyrics with music that still has the aggressiveness of extreme metal.

2.So far you have released 2 albums, how would you describe the musical sound that is presented on both of the recordings?
We have had the pleasure of recording with Shane Hochstetler at Howl Street Recordings in Milwaukee for both of our albums. He has helped us achieve our goal of creating a raw, yet defined sound. Musically, we are fans of many metal genres and wanted to create a sound that is not limited to the confines of one genre.

3.What are some of the lyrical topics and subjects the band explores with the music?
Our lyrical themes revolve around personal and societal unease with a hint of supernatural pondering.

4.What is the meaning and inspiration behind the name 'Uhtcearu'?
Uhtcearu (oot-key-are-oo) is an Anglo-Saxon word that translates to pre-dawn anxiety or nighttime sorrow.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
Well we are currently driving through Ontario to our first date on the Rite of Passage Tour, so are expecting these will be some of the best shows we have played as a band so far. As a three piece, it is important for each member to bring energy to the stage.

6.Do you have any touring or show plans for the future?
Yes, we are in the midst of our first official tour which includes 3 Canadian dates, and 7 throughout the U.S.

7.Currently you are unsigned, are you looking for a label or have received any interest?
Right now we are more focused on developing our sound and gaining experience as a band, but are what open to whatever lies ahead.

8.On a worldwide level how has the feedback been to your music by fans of melodic black metal?
The reception has been great so far, especially with the release of our new album. People seem to react to our music as a breath of fresh air in the scene.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Noel, our drummer was just in Europe with Painted Caves, a Milwaukee based Middle-Eastern infused psych-rock band. He also plays in Population Control, which is a thrash band from Milwaukee.

10.Where do you see the band heading into musically during the future?
In the future, we will continue to refine our sound and will not limit ourselves to the patterns set by our previous releases.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Though we are all avid and dedicated metal heads, our music tastes range from jazz-fusion, pop, blues, hip-hop and Polish folk music.

12.What are some of your non musical interests?
Dustin, our guitar player is a history PhD candidate at the University of Minnesota. Zach, our bass player is a craft beer connoisseur. Noel, our drummer jogs occasionally.

13.Before we wrap up this interview, do you have any final words or thoughts?
Thank you to everyone who has listened to and supported our albums. We greatly appreciate the growing fan base we are cultivating. Cheers! 

Saturday, August 12, 2017

Syn Ze Sase Tri Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

-First of all hello and thanks for your interest in Syn Ze Sase Tri. Since we finished the recordings, a lot of things kept us busy. The mixing process which was quite hard since we live in Romania and the mixing was done in Italy, same thing with the artworks, and besides these we had to make a lot of rehearsals to be prepared to go live, many preparations for the stage props that we use in our live shows, interviews, photo sessions, plans, preparations and all the duties that need to be done to offer to the public a 100% experience. Basically as any professional band we must make everything to meet the highest expectations.


2.In September you have a new album coming out , how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

-The way i see it, is a step forward, more mature and closer to what we had in mind from the beginning of our journey 10 years ago. I cannot say that it is the same or different from what was before only as the sound quality, which is at a much higher level. But musically, we just followed our normal and natural path. And the result is what you can hear on this album. It is our biggest accomplishment so far as a band, and we are proud of it.


3.According to the facebook page you refer to your music as 'bloodstained black metal', can you tell us a little bit more about this term?

-Yes of course. We decided to call our genre 'bloodstained metal', not black metal, because our music incorporates elements from many metal and rock genres, so it will be improper or unfair to mark it as black metal or any other strict therm. Bloodstained because of the story we tell through our music, which is based on the bloody history of our Romanian ancestors. So, it's metal, but bloodstained.


4.Your lyrics cover Ancient Dacian Legends and Romanian Mythology, can you tell us a little bit more about your interest in these topics?
-From my point of view each of us, no matter the religion or race or nationality, we all must respect and remember our roots, the things that were the base of what we are today. It is sad to see that today's life is taking a turn or better said is aiming to a globalisation, and in this way the identity is left aside. It is not about nationalism or other form of social movement, it is just to remember and never forget what is our identity. Sadly the young generation is very detached from history, and we try through our music and efforts to open their interest and to make them to read and make a little research about their origins, which is not a bad thing. They can choose to be whatever they want, but they must never forget who they are.


5.What is the meaning and inspiration behind the name 'Syn Ze Sase Tri'?
-The name is inspired by a pre-Christian prayer dedicated to a deity, prayer carved on a gravestone which was discovered by archaeologists here in Romania, which translated would mean “I’m with triple six”.  This number, 666, being away from the occult meaning, in many cases in the pre-Christian mythology being assigned as the limit between the world of gods and men, a sacred number. The prayer itself was incorporated into the song “Ruga” (The Prayer) a song that ends our first album. The prayer and its discovering were neither confirmed nor denied by the historical / archaeological facts, but have become the perfect starting point for the whole concept of the band.

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
-The best shows so far for us were the ones in which we opened for the biggest names in metal, such as Dimmu Borgir, Mayhem, Dark Funeral or Carach Angren. Why? Because at that level of organisation and the importance of the events, we had our chance to prove in the same conditions and to the same public that we are close to their level, a fact that the public shared with us, and was somehow our certitude that we are doing the right thing.
 About our stage experience i like to think that is very dynamic and that it gives a strong feeling. Our songs are variate and each song gives a different feeling and vibe. The biggest surprise for me was when a few years ago in Germany at one fest, i saw a man in the front row of the public who was so touched by the emotions sent by our ending song "Inaripat Si Impietrit", that he was crying the hell out of him, and after the show he confessed that even if he did not understood a thing from our lyrics due to our Romanian language, he felt the song very strong. So i think that our show are very theatrical and cinematic due to all the stage props we use, but in the same time the music sends a very sharp feeling with a strong intensity.


7.Do you have any touring or show plans once the new album is released?
-Of course. Since we finished the recordings we had a lot of gigs here in Romania, in which we started to promote the fact that in this year's fall we will release the 4'th chapter of our story, and in september we will have a european tour which will be the first leg of the promotional tour of the new album, tour that will be continued in the spring of and throughout the rest of the 2018.


8.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?
-For us it was quite surprising. Not many times being compared to big names like Dimmu Borgir, Emperor or Cradle Of Filth. We received more and more good reviews with each album, and we receive a lot of good feedback from fans around the world. We hope that in the near future to be able to reach to all of them and to give them our bloodstained experience.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
-Two of my band mates, the drummer and the lead singer are playing in some other band like Malpraxis and An Theos, bands that are also very good and have their own identity and message. I cannot say much about their activity in those bands because i am focused on Syn Ze Sase Tri, but for sure i can recommend them to be listened.


10.Where do you see the band heading into musically during the future?
-Headlining the biggest metal festivals in the world! Haha. We will do our best to get at the highest level as possible, but in our band is quite difficult to predict the future because we have a lot of ideas and only time and the public will be able to take us where we must be. Of course being a bloodstained wolf pack, we are moving forward with no intentions to step aside. We will get you all under the sign of the wolf! Haha


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
-Me as the composer and founder of the band, i was very moved by the conceptual music. The Wall of Pink Floyd, or the music of King Diamond, Avantasia or even better Scenes From A Memory of Dream Theater were my guiding point. I always wanted to make music which has a story. I like to listen to something that keeps me nailed to the music for the entire album, not just on some tracks. But of course other bands from extreme music such as Dimmu Borgir, Emperor or Cradle of Filth, had a big impact over me so from all those Syn Ze Sase Tri was born. I listen to anything that sends an emotion, that has something to say. Otherwise is a waste of energy and time.


12.What are some of your non musical interests?
-I love riding motorcycles, horse riding, carving, painting, working with leather and organic materials, nature, reading, anything that can give me a state of relaxation but in the same time to give me the opportunity to become much better as human. The good thing is that many of these things help me a lot with the band. So it combines the use with the pleasure.


13.Before we wrap up this interview, do you have any final words or thoughts?
-Listen to our music and you will find out other great musicians who joined us on this album, buy our CD's, come to our gigs, and support our band. But don't forget to do this with all the bands. Without you, we cannot exist. Without us you have nothing to listen to. So try to support the metal scene as much as you can. Not just the big bands. Once they were like us.
 Follow us on our facebook page and visit our website www.synzesasetri.ro

 Rock on and get bloodstained! \m/

Friday, August 11, 2017

Usnea/Portals Into Futility/Relapse Records/2017 CD Review


  Usnea  are  a  band  from  Portland,  Oregon  that  has  been  featured  before  in  this  zine  and  plays  a  blackened  mixture  of  sludge  and  funeral  doom  metal  and  this  is  a  review  of  their  2017  album  "Portals  Into  Futility"  which  will  be  released  in  September  by  Relapse  Records.

  Dark  yet  melodic  riffing  starts  off  the  album  along  with  some  clean  singing  vocals  and  chants  a  few  seconds  later  which  also  leads  to  more  of  a  heavier  funeral  doom  metal  direction  while  the  vocals  bring  in  aggressive  sludge  style  screams  and  death  metal  growls  are  also  used  at  times.

  All  of  the  tracks  are  very  long  and  epic  in  length  while  the  solos  and  leads  are  done  in  a  very  dark  yet  melodic  fashion  along  with  some  black  metal  screams  also  being  utilized  at  times  and  clean  playing  is  also  added  into  certain  sections  of  the  recording  and  the  music also  brings  in  a  great  amount  of  dissonant  structures  and  all  of  the  songs  stick  to  a  very  slow  musical  direction.

  Usnea  creates  another  recording  that  remains  true to  the  blackened  mixture  of  sludge  and  funeral  doom  metal  from  previous  releases,  the  production  sounds  very  professional  while  the  lyrics  cover  dystopian  and  science  fiction  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Usnea  and  if  you  are  a  fan  of  black,  sludge  and  funeral  doom  metal, you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Lathe  Of  Heaven"  and  "A  Crown  Of  Desolation".  8  out  of  10.  

From North/Self Titled/Downfall Records/2017 CD Review

   From  North  are  a  band  from  Sweden  that  plays  a  mixture  of  folk  and  viking  metal  and  this  is  a  review  of  their  self  titled  2017  album  which  was  released  by  Downfall  Records.

  A  very  heavy,  epic  and melodic  sound  starts  off  the  album  along  with  some  folk  instruments  and  after  awhile  aggressive  vocals  are  added  onto  the  recording  and  the  riffs  also  mix  in  a  great  amount  of  traditional  metal  elements  and  clean  singing  is  also  utilized  at  times.

  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  fashion  while  the  music  also  gets  very  atmospheric  and  epic  at  times  and  the  vocals  also  add  in  growls  at  times  and  you  can  also  hear  a  slight  black  metal  influence  in some  parts  of  the  songs  and  as  the  album  progresses  acoustic  guitars  are  added  onto  the recording.

  From  North  plays  a  musical style  that  takes  folk,  viking  and  traditional  metal  and  mixes  it  in  with  the  heaviness  of  melodic  black  and  death  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  Norse  Mythology  and  Paganism  themes.

  In  my  opinion  From  North  are  a  very  great  sounding  mixture  of  folk  and  viking  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Voland  The  Smith"  "Mead  of  Poetry"  "The  Catch"  and  "From  North".  8  out  of  10.  

Thursday, August 10, 2017

Crimfall/Amain/Metal Blade Records/2017 Full Length Review


  Crimfall  are  a  band  from  Finland  that  plays  a  symphonic  mixture  of  power,  folk,  viking  and  black  metal  and  this  is  a  review  of  their  2017  album  "Amain"  which  will  be  released  on  August  25th  by  Metal  Blade  Records.

  A  very  atmospheric  sounding  intro  starts  off  the  album  along  with  some  spoken  word  arts  a  few  seconds  later  which  also  leads  to  stringed  and  folk  instruments  being  added  onto  the recording  along  with  some  drum  beats,  melodic  male  vocals  and  symphonic  elements  and  female  vocals  are  also  a  very  huge  part  of  the  songs.

  When  the   music  gets  heavy  it  still  mixes  in  with  the  folk  and  symphonic  side  of  the  recording  and  after  awhile  death  metal  growls  and  black  metal  screams  start  to  make  their  presence  known  and  the  riffs  also  use  a  great  amount  of  melody  while  the  solos  and  leads a re  also  done  in  a  very  melodic  fashion.

  A  great  amount  of  power  metal  elements  can  be  heard  quite  a  bit  throughout  the  recording  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to them  and  as  the  album  progresses  acoustic  guitars  are  added  onto some  of  the  songs  while  the  tracks  also  bring  in  a  great  mixture of  slow,  mid  paced  and  fast  parts  and  the  last  track  is  very  long  and  epic  in  length.

  Crimfall  plays  a  musical  style  that  power,  folk,  viking  and  melodic  black  metal  and  mixes  together  with  symphonic  elements  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  Norse  Paganism,  War  and  Anti  Religion  themes.

  In  my  opinion  Crimfall  are a   very  great  sounding  mixture  of  power,  folk,  viking  and  melodic  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Last  Of  Stands"  "Ten  Winters  Apart  Part  4:  Dawn  Without  A  Sun"  "it's  A  Long  Road"  and  "Until  Falls  The  Rain".  8  out  of  10.



  

Wednesday, August 9, 2017

Rapheumets Well/Enders Door/Test Your Metal Records/2017 CD Review


  Rapheumets  Well  are  a  band  from  North  Carolina  that  has  been  featured  before  in  this  zine  and  plays  a  progressive  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2017  album  "Enders  Door"  which  was  released  by  test  Your  Metal  Records.

  Symphonic  sounding  keyboards  start  off  the  album and  operatic  choirs  are  also  used  briefly  along  with  some  elements  of  classical  music  and  they  also  mix  in  with  the  heavier  sections  of  the  music  while  the  solos  and  leads  are  done  in  a  very  melodic  fashion  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  all  of t he  musical  instruments  sounding  very  powerful  and  the  riffs  also  bring  in  a  great  amount  of  melody  along  with  female  vocals  also  being  added  into  certain  sections  of  the  recording  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts,

 Some  tracks  also  bring  in  a  small  amount  of  spoken  word  parts  and  as  the  album  progresses  acoustic guitars  are  added  into  certain  sections  of  the  recording  along  with  the  music  getting  progressive  at  times  and  some  of  the  tracks  are  very  long  and  epic  in  length  while  some  of  the  leads  also  add  in  some  technical  touches  and  a  couple  of  tracks  are  instrumental.

  Rapheumets  Well  creates  another  recording  that  remains  true  to  the  progressive  and  symphonic  mixture  of  black  and  death  metal  from  previous  releases,  the  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Rapheumets  Well  and  if  yuo  are  a  fan  of  symphonic  and  progressive  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Traveler"  "Secrets  Of  The  Demigods"  "The  Diminished  Strategist"  and  "Unvieling  The  Sapiant".  8  out  of  10.   

Friday, August 4, 2017

Zornheym Interview

1. Can you give us an update on what is going on with the band these days?
Zorn: Right now we are preparing for our first show at Motocultor Festival in France on the 18th of August and we have just started the promotion cycle for our debut album “Where Hatred Dwells and Darkness Reigns”. There is also some work left to do on our graphic novel that will be released as the comic book edition of the album, so yeah… we are staying busy to say the least!

2. You have an album coming out in September, how would you describe the musical sound that is presented on the guitar?
Zorn: To begin with we have normal tuning on our guitars. Sverker Widgren (owner of Wing Studios where we recorded) created such a thick and heavy sound for our guitars so there was no need to tune them down. Personally, I feel that if you tune down a guitar it doesn’t really add anything in heaviness if the riffs themselves aren’t heavy already. We also have Deathbucker pickups from Lace pickups that helped us get a perfect mix of new and old with the tone as well. Even though we are a “Symphonic” band, the guitar takes up a lot of space on the album. The guitar is the strong stallion that’s pulling the carriage of the orchestra and the choir.

3. The main person in the band has previous experience in other bands, what is it that you feel that you are able to do different with this band that you were not able to do in previous groups?
Zorn: This band I built from scratch. When the foundation for the band was built I was lucky and found great people that shared the same vision. I think a difference with this band is that we are looking more outside of the box, we have pretty much smashed the box and rebuilt that whole idea. There is so much focused creativity pulling in the same direction. It makes the music and the ideas around the concept very powerful and more focused than I have ever experienced before.

4. The lyrics on the album have a concept to them, can you tell us a little bit more about the songwriting?
Zorn: The story takes place at an asylum called Zornheim - Where Hatred Dwells and Darkness Reigns, and each song tells the story of ones of the inmates that is imprisoned there. The physical version of the album also includes each inmates’ medical record written by the head doctor Dr. Bettelheim.

Regarding the songwriting, I started mostly with writing the guitar riffs, even though with “The Opposed” I wrote the cello theme on an old keyboard with a cello sound. Then I recorded and arranged the songs in my home studio. I met up with Angst and did drum arrangements with him in the rehearsal room and later he recorded the drums. Once I got the rehearsal drums from him I did small adjustments with the guitars and the orchestra as well. When Bendler joined the band, me and him started working on the vocals together, sending ideas back and forth and then Scucca came with some vocal input before we recorded it with Sverker Widgren at Wing Studios. Once the foundation of the songs were done I sent over the orchestral score to Scucca and he arranged the ideas so that they would work and then wrote it down as notation for the string orchestra and the choir. Since each song contains over 300 channels on the album, the songwriting process was more complicated than just meet up a few guys and jam in a rehearsal room.



5. What is the meaning and inspiration behind the name 'Zornheym'?

Zorn: Zornheym was my stage name when I was in Dark Funeral. The former German lead singer of Dark Funeral, Nachtgarm, came up with it. It is german and it means “home of anger”. The more I started to hear people calling me that, the more I liked the sound of it and when I started to plan to form this band I found myself with a concept that pretty much tells a story about a “home of anger”. So simply using that name felt natural. The story takes place in Germany so we decided to name the asylum “Zornheim” and the band “Zornheym” and I decided to shorten my name to Zorn, because that’s what people usually called me anyway.


6. What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Zorn: That’s a really hard question to answers since we have not played any shows so far, haha… Our debut show is on the 18th of August in France on the Motocultor Festival. We are playing together with bands like Bloodbath, Opeth and Candlemass, in other words we are super psyched and honoured for having this opportunity for our debut show!

7. Do you have any touring or show plans once the album is released?
Zorn: Besides Motocultor, nothing is booked yet. However plans are slowly taking form. The best thing you can do if you want to see Zornheym play in your city is to contact your local promoters and make sure that they understand that there is a demand for Zornheym in your area.

8. On a worldwide level how has the feedback been to your music by fans of extreme metal?
Zorn: We have only released two digital singles and our first show is on a 20.000+ festival, I can not believe how extremely well people have greeted us. Thank you!
I think that it is really hard to break through the white noise surrounding music today. I’m getting the feeling that our extremely thought through concept is helping us with that though, but only time will tell. So far, so good!

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Zorn: My other band/studio project, Aktiv Dödshjälp, might enter the studio later this year. I have almost all the songs done and I have a recording line up as well. I hope we can do it because the songs are really cool. I know that Bendler has just added a ton of great songs onto Spotify recently, and him and Facebreaker are slowly putting a new album together. Angst’s Diabolical are recording pre-productions for their next album. Scucca’s other band, Encrowned, has some killer songs in production for their debut too.

10.Where do you see the band heading into musically during the future?
Zorn: I see us diving deeper into the concept that we started with “Where Hatred Dwells and Darkness Reigns” and using more and more real instruments. Our music can basically travel where the concept takes us since we are a band driven by our concept. I look forward to creating more epic symphonic compositions though!

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Zorn: To begin with what have influenced me while writing this album I would say these albums:
Dissection - Storm of the Light’s bane
Dimmu Borgir - Spiritual Black Dimensions
King Diamond - Voodoo
Blind Guardian - Nightfall in Middle-earth
Yngwie Malmsteen - Seventh Sign
Emperor - Anthems To The Welkin At Dusk
Hans Zimmer - Inception soundtrack

I don’t think we sound like any of these bands or artists exactly, but they have been a great inspiration for me while writing. When I’m listening to music at home, I only listen to the albums in my record collection, and then I would rather put on an album and let it play through. When I’m out I stream music via Spotify and then I more look for music or check out new albums. Recently I have been listening to the new Carach Angren album, Blaze new album, Bloodbath, Edge of Sanity and the new Rhapsody of Fire album. Sometimes I go into instrumental periods and just listen to soundtracks or classical music. Other times I am at the gym and just getting psyched up by Raised Fist.


12.What are some of your non musical interests?
Zorn: I like going to the movies and TV series. I also often find myself stuck watching different documentaries about historic events. I like to read a lot as well. Most of my time when I’m not working with music is invested in my 3 year old son and my girlfriend though.

13.Before we wrap up this interview, do you have any final words or thoughts?
Zorn: Thank you for your interest in Zornheym and thanks to you who took the time to check out the whole interview. Please check out our debut album “Where Hatred Dwells and Darkness Reigns”. If concept albums are your poison, dive into our concept and explore, it is a new angle on the approach to concept albums and I think you will like it! Check out our singles on youtube and if you want to help a hard working band, get the physical version of the album. Either way, thanks for taking the time to check us out. See you on the road!

Thursday, August 3, 2017

Fleurety/Inquietum/Aesthetic Death/2017 Compilation Review


  Fleurety  are  a  band  from  Norway  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  black  metal,  avant  garde  and  noise  and  this  is  a  review  of  their  2017  compilation  album  "Inquietum"  which  will  be  released  on  August  21st  and  consists  of  the  many  7  inches  that  they  have  released  over  the  years.

  Harsh  noises  and  power  electronics  start  off  the  album  and  also  mix  in  with  the  heavier  riffing  which  also  leads  up  to  some  high  pitched  black  metal  screams  being  added  onto  the  recording  while  the  music  also  brings  in  a  great  amount  of  avant  garde  elements  and  you  can  also  hear  some  melody  in  the  guitar  riffing.

  When  the  music  speeds  up  a  decent  amount  of  blast  bets  can  be  heard  while  the  solos  and  leads  are  done  in  a  very  melodic  yet  progressive  fashion  and  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  the  guitar  riffing  also  brings  in  a  decent  amount  of  tremolo  picking.

  Throughout  the  compilation  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  some  tracks  also  bring  in  synths  and  drones  along  with  some  psychedelic  elements  also  being  used  briefly  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them,  female  vocals  can  also be  heard  briefly as  the  album  progresses  and  some  of  the  songs  is  long  and  epic  in  length  and  also  utilizes  a  more  angry  vocal  approach  and  there  are  also  a  few  instrumentals.

  On  this  compilation  Fluerty  showcase  a  lot  of  their  material  that  was  released  over  the  years  which  shows  their  avant  garde  black  metal  style  getting  more  darker  and  experimental  than  what  was  presented  on  the  early  full lengths,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  weirdness,  dark  emotions  and  poetry  themes.

  In  my  opinion  this  is  a  very  great  sounding  collection  from  Fluerty  and  if  you  are  a  fan  of  avant  garde  black  metal,  experimental  and  noise,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Descent  Into  Darkness"  "Summon  The  Beasts"  "It's  When  Your  Cold"  and  "Carnal  Nations".  8  out  of  10.   

Kranheit/Saat Des Bosen/Metal Shop/2017 CD Review

  Krankheit  are  a  band  from  Austria  that  plays  a  mixture  of  dark  industrial  and  symphonic  black  metal  and  this  is  a  review  of  their  2017  album  "Saat  Des  Bosen"  which  was  released  by  Metal  Shop.

  Dark  soundscapes  start  off  the  album  along  with  some  radio  sounds  and  demonic  voices  which  leads  up  to  a  heavier  musical  direction  while  the  vocals  are  high  pitched  black  metal  screams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  they  also  mix  the  symphonic  and  heavy  parts  together.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  the  songs  also bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  and  the  music  also  mixes  in  a  great  amount  of  industrial  and  classical  music  elements

  Kranheit  plays  a  musical  style  that  takes  symphonic  black  metal,  industrial  and  classical  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  are written  in  their  native  tongue  and  cover  dark  themes.

  In  my  opinion  Kranheit  are  a  very  great  sounding  mixture  of  classical,  dark  industrial  and  symphonic  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Saat  Des  Bosen"  "Tanz  der  Zeit"  "Untergang"  and  "Requiem  Introitus".  8  out  of  10.  

Wednesday, August 2, 2017

Xanthochroid/Of Erthe And Axen Act I/Erethe And Axen Records/2017 CD Review


  Xanthochroid  are  a  band  from  Lake  Forest,  California  that  plays  a  musical  style  they  refer  to  as  'cinematic  black  metal'  and  this  is  a  review  of  their  self  released  2017  album  "Of  Erthe  And  Axen  Act  I"  which  will  be  released  on  August  22nd.

  Neo-classical  style  keyboards  and  instruments  start  off  the  album  along  with  some  symphonic  elements  while  also  adding  in  the  atmosphere  of  an  epic  fantasy  movie  and  when  acoustic  guitars  are  utilized  they  bring  in  elements  of  folk  music  and  melodic  singing  is  also  used  at  times.

  Female  vocals  are  also  added  into  certain  sections  of  the  recording  and  after  awhile  the  music  also  goes  into  more  of  a  heavy  and  melodic  direction  along  with  some  of  the  tracks  being  very  long  and  epic  in  length  and  they  also  mix  the  heavy  and  symphonic  elements  together  and  the  guitar  leads  also  use  a  great  amount  of  melody.

  After  awhile  grim  black  metal  screams  start  to  make  their  presence  known  along  with  a  few  death  metal  growls  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  the  acoustic  guitars  also  gives  the  songs  a  more  progressive  edge  at  times  and  there  is  a  mixture  of  both  heavy  and  acoustic  tracks.

  Xanthochroid  plays  a  musical  style  that  mixes  symphonic  black  metal  with  folk  music  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  their  own  self  created lore  and  fantasy.

  In  my  opinion  Xanthochroid  are  a  very  great  sounding  cinematic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "To  Higher  Climes  Where  Few Might  Stand"  "The  Sound  Of  Hunger  Rises"  and  "The  Sound  Which  Has  No  Name".  8  out of  10.

Owlcrusher/Self Titled/Seeing Red Records/2017 CD Review


  Owlcrusher  are  a  band  from  Northern  Ireland  that  plays  a  blackened  mixture  of  sludge  and  doom  metal  and  this  is  a  review  of t heir  self  titled  2017  album  which  was  released  by  Seeing  Red  Records.

  Atmospheric  sounding  drones  along  with  some  ambient  soundscapes  start  off  the  album before  going  into  more  of  a  heavier  sludge  and  doom  metal  direction  as  well  as  introducing  high  pitched  black  metal  screams  onto  the  recording  while  the  guitar  riffing  also  utilizes  a  great  amount  of  dark  sounding  melodies.

  All  of  the  musical  instruments  on  the  recording h ave  a  very  powerful  sound  to  them  while  death  metal  growls  are  also  utilized  at  times  along  with  melodic  chants  and  singing  also  being  added  into  certain  sections  of  the  recording  and  when  guitar  leads  are  utilized  they  are  done  in  a  very  dark  yet  melodic  fashion  and  all  of  the  tracks  are  very  long  and  epic  in  length  and  all  of t he  songs  stick  to  a  very  slow  musical  direction.

  Owlcrusher  plays  a  musical  style  that  mixes  sludge  and  doom  metal  with  a  black  metal  vocal  approach  to  create  a  sound  of  their  own,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  mental  illness,  alcohol  abuse,  tragedy  and  abstract  existential fear  themes.

  In  my opinion  Owlcrusher  are  a  very  great  sounding  blackened  mixture  of  sludge  and  doom  metal  and  if you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Feeble  preacher".  8  out of  10. 

Tuesday, August 1, 2017

Syn Ze Sase Tri/Zaul Mos/Code666/2017 CD Review


  Syn  Ze  Sase  Tri  are  a  band  from  Romania  that  plays  a  very  symphonic  form  of  pagna  black  metal  and  this  is  a  review  of  their  2017  album  "Zaul  Mos"  which  will  be  released  in  September  by  Code666.

  Symphonic  synths  and  folk  instruments  start  off  the  album  and  they  also  mix  in  with  the  heavier  and  melodic  sections  of  the  music  while  the  vocals  are  mostly  grim  yet  high  pitched  black  metal  screams  along  with  some  death  metal  growls  and  whispered  vocals  can  also  be  heard  briefly.

  At  times spoken  word  parts  can  be  heard  along  with  a  brief  use  of  power  metal  style  vocals and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  fast  riffs  also  use  a  great  amount of  tremolo  picking.

  When  guitar  leads  are  utilized  they  are  done  in  a  very  melodic  fashion  and  as  the  album  progresses  elements  of  folk  metal  and  pagan  vocals  are  also  added  onto  the  recording  while  a  later  track  also  brings  in  a  small  amount  of  acoustic  guitars and  female  vocals  and  only  one  of  the  songs  is  very  long  an d epic  in  length.

  Syn  Ze  Sase  Tri  plays  a  style  of  pagan  black  metal  that  is  very  symphonic  while  also  mixing  in  a  decent  amount  of  folk  elements  to  create  a sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  Ancient  Dacian  Legends.

  In  my  opinion  Syn  Ze  Sase  Tri  are  a  very  great  sounding  symphonic  pagan/black  metal band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Tarimu  De  Lumina"  "De-a  Dreapta  Omului"  "Urzeala  Ceriului"  and  "In  Pintecu  Pamntuliu".  8  out  of  10.

Uhtcearu/For Darkness To Subside/2017 Full Length Review


  Uhtcearu  are  a  band  from  Wisconsin  that plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2017  album  From  Darkness  To  Subside".

  Blast  beats  and  fast  tremolo  picking  starts  off  the  album  along  with  some  melodic  guitar  leads  a  few  seconds  later  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to them  and  the  vocals  also  use  both  black  metal  screams  and  death  metal  growls  and  you can  also  hear  a  lot  of  melody  in  the riffs.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and fast  parts  while  some  of  the  tracks  are  very  long  and  epic  in  length  and  acoustic  guitars  are  also  added  on  a  few  tracks  along  with  a  brief  use  of  wood  burning  sounds  and  they  also  give  the  genre  a  more  modern  approach  and  as  the  album  progresses  a  brief  use  of  piano's  can  be  heard and  one  of  the  tracks  is  an  instrumental.

  Uhtcearu  plays  a  musical  style  that  takes  melodic  black metal  and  mixes  it  with  death  metal  to  create  a sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  dark  and  philosophical themes.

  In  my  opinion  Uhtcearu  are a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Burning  Effigy"  "May  Spirits  Guide  Us  Through"  and  "Tower  Of  Silence".  8  out  of  10.